Wednesday, January 5, 2011

The art of Lucknow and a tuna melt

I don't even remember when was the last time I visited LACMA (Los Angeles County Museum of Art). It may have been as long as a year ago, but certainly too long to be away from one of my favorite places in LA.

There is something very satisfying about standing in front of a piece of art (whether it is a painting, a sculpture, a textile or...). Of course, there is a considerable amount of "art" I don't want to be standing in front of... but usually in any exhibit or gallery I can find one piece that resonates with me and makes the whole experience worthwhile.

On this very rainy past Sunday, my good friend BG and I decided to spend the afternoon at LACMA. Neither of us had checked the website so we really didn't know what exhibits were available. That can be fun, just wandering around seeing what there is to see.

Rain in LA is like a blizzard in other parts of the country: nobody wants to venture outside. So the museum was lightly attended, which was fine with me!

The first exhibit we noticed was India's Fabled City: The Art of Courtly Lucknow, so we decided to give it a shot, not knowing what to expect.

From the LACMA website: "Lucknow was an extraordinarily elegant and sophisticated Indo-Islamic kingdom that flourished in the eighteenth and nineteenth centuries. This is the first exhibition devoted to the opulent art and culture of the city, which boasted the wealthiest court and most ostentatious cityscape in northern India."

Need I say more? Well, this is my blog, so I will anyway!

First of all, I was amazed at the size (approximately 200 pieces) and depth (paintings, costumes, jewelry, weapons, decorative arts, glassware, and more) of the exhibit. Very impressive. Walking from gallery to gallery it just kept on going.

Although I enjoyed all facets, I was most taken by the intricate paintings executed in water color and gold leaf... exquisite renditions of the architecture, people and life in general of that era. We commented that the work must have been done under very powerful magnifying glasses by artists with extraordinary eyesight and tiny hands. You have to see it in person to appreciate the delicacy.

Equally impressive were the portraits by Tilly Kettle, especially in his rendition of the rich fabrics worn by his subjects. (I looked him up on Wikipedia as I had never heard of this artist who died in his early 50s. Out of money, he returned to India in the hope of replenishing his bank account but traveling overland through Asia he was never heard from again.)  

One nice touch in the exhibit was a room devoted entirely to a panoramic photograph of Lucknow mounted on the wall as a mural. Walking into the room was like walking into the city, surrounded on all sides by the view.

If you think you know everything there is to know about Indian art, or you think you don't care, either way I highly recommend seeing this wonderful exhibit. If nothing else, it is an interesting insight into an episode of India's history.

Having been blown away by the art of Lucknow we traversed the plaza to the new Korean galleries. The space is very nice but after the previous experience the art on display was rather bland. We checked out a few other favorites in the main building but at that point our brains had sucked up about as much art and information as we could manage... so as our hearts and minds were full it was time to feed our stomachs.

Marie Callender's Bakery and Cafe is just a few footsteps down Wilshire Boulevard so it is always a convenient restaurant for a post-museum discussion and meal. BG and I, along with other friends, have spent many an interesting couple of hours there in the afterglow of LACMA. We always order a salad, and usually the same favorite that we each have. We laugh about this as every time we peruse the menu as if we are going to try a new item, but it rarely happens.

I was cold down to my bone marrow all day and walking in the torrential rain to the restaurant did not help matters. The thought of my usual salad did not appeal to me. But the tuna melt sure did. We both ordered it, BG with french fries and for me the cole slaw (I had to get my green veggies in somewhere).

As a connoisseur of tuna melts I have to tell you this was one of the best I have ever eaten. Perhaps THE best. I don't normally eat four-legged animals but I decided to make an exception this time as the sandwich came with two strips of deliciously crispy bacon (yes, I could have ordered it without but I didn't want to). That first bite was heaven. The cole slaw was yummy too with peanuts and raisins sprinkled in with the colorful cabbage slices. I may have found my new Marie Callender's "usual." (I don't believe this Marie Callender's is associated with the chain around town so don't try to order this at the one on your corner.)

A very pleasant rainy Sunday afternoon that covered all the senses.

Saturday, September 11, 2010

Vickie Myers Wows Again for the Culver City Art Group


The members of the Culver City Art Group who attended the Annual Membership Drive at Graphaids today were once again treated to the innovative art of Vickie Myers as she entertained us with some imaginative ways to use water colors.


From collages made of our paintings we don't like so much to the ever-popular carrot people to using tools and brushes creatively, even the seasoned painters in our group learned a lot.


This was the third time Vickie has shared her talents with our group. Never a one-trick pony, she always has new and different methods and effects to demonstrate. Ask her anything and she will answer in detail with great patience.


Vickie has been teaching at the Joslyn Center in El Segundo since 1993. You can contact her via her website at http://www.vmyersart.com/.  


And thanks to Graphaids Culver City who very generously allows us to hold our membership drive in their store every year.


(Photos copyright roslyn m wilkins)

Friday, September 3, 2010

“Rivers of the World” Community Mural Fundraiser and Live Street Art Event

A fundraiser and live street art event is scheduled for Sunday, September 12 from 2:00 pm to 5:30 pm at Zakheim Conservation Studio, 3633 Eastham Drive, Culver City, CA. The goal is to raise awareness for the protection, restoration, and preservation of all Culver City murals.

Enjoy an afternoon of arts and entertainment. Meet renowned artists and celebrities including mural artist Art Mortimer and artist/actor Thom Bierdz of The Young & the Restless.

There will be a panel discussion with Shakuntala Zakheim, art conservation specialist; William Brutacao, famed attorney in the Kent Twitchell million-dollar Visual Artists Rights Act case; Lucy Blake-Elahi, public artist; and Ricardo Guerrero, Graffiti Lab Director. RAWartists.org, a non-profit national artist and environmental group, will be documenting the afternoon, making the stop on their national tour.

Community participation is important to show support for the future of public art and murals in Culver City.

“When I see public art in Culver City, I feel good about being part of a city that values art and thinks it should be available to everyone,” says Corinne Lightweaver, local artist and member of the Culver City Art Group. “I never noticed the Postcards from Ballona mural (on the bike path behind the Julian Dixon Library) when it was covered in graffiti. Now that I have had a role in restoring it, I visit it often and take action if I see graffiti or weeds blocking it.”

The Postcards from Ballona mural was successfully restored last year thanks to the efforts of the city contracting one of the original mural artists, Lori Escalera, and approximately 90 local volunteers. This spring Day to Night mural in Syd Kronenthal Park was also restored, lead by Escalera and the help of community volunteers. The Rivers of the World mural, also located on the bike path at Duquesne Avenue, is the latest in a series of community murals to be renovated. Since its completion in 2000, the mural has deteriorated due to wear, vandalism and graffiti. Its restoration is scheduled for November 12-14, 2010.

At the fundraiser you will also see live spray art by Timoi De Leon, Lesley Perdomo, and Jony "Broak" Tolentino. Renowned street chalk artists Lorelle Miller, Juliana Martinez, Lucas De La Torre, and Gustavo Lozano will demonstrate their skills. Live music will be provided by established performers Craig Small and the exotic Anna Homler.

Suggested donation is $25 per person or $75 for a family of four. Make your payment by September 1 and receive $25 credit on art auction items starting at $50. You can make your donation through Paypal at www.ballonacreek.org or send a check (payable to Ballona Creek Renaissance) to: BCR, PO Box 843, Culver City, CA 90232.

Questions or want to get involved? Email Lori Escalera: design.etc@cox.net

Sponsored in part by Ballona Creek Renaissance 501-c3, RAWartists.org, Laird Plastics, Sorrento Italian Market, Culver City Trader Joe's, Artesa Winery, and your neighborhood Sprouts Market.

To receive updates or RSVP on Facebook, search: "Save the Rivers of the World Community Mural"

Sunday, August 8, 2010

Culver City Art Group Art Salon

Musée d'Orsay, miniature paintings, the Pastel Society of Southern California, Francis Bacon, Roman mosaics—these are just a sampling of the topics bandied around at the Culver City Art Group Art Salon held at my home on July 31. The snacks were just as eclectic ranging from homemade guacamole to organic grapes to cheese and crackers. Ten members of the art group attended which was the perfect number for good conversation.


I am looking forward to our next session!

For a photo gallery please click here.

Friday, July 9, 2010

Young Summers at POST in 3D

Young Summers introduced her first three-dimensional artwork at POST Gallery (1904 E 7TH Pl, Los Angeles, CA 90021) tonight. Young, a member of the Culver City Art Group, is the creator of some prize-winning collages. She invited members of CCAG to attend her exhibit.


I always like to see new and different art. The exhibit was a lot of fun, and that is what art should be in my opinion—fun.


Yes, it can be about serious subjects but to get the point across it needs to invite the viewer in and that can only be done by creating an enjoyable environment.


Personally, I always prefer innovative, creative, adventurous art… even if I don’t particularly care for it… to dreadfully boring, serious stuff. Art should be an adventure, not a known quantity.


Fortunately, no worries, as I always enjoy Young's art work.


(Photos copyright roslyn m wilkins)

Monday, June 14, 2010

Lessons Learned: Reflecting on the Theory and Practice of Mosaic Conservation

I have to admit when I read that the articles in this book were in English and French I thought that meant this would be like an English/French dictionary with translations into the respective languages. Not so, as some of the articles are in English and some are in French, period. If you can’t read French you are on your own which I find somewhat disappointing. Would it have been so hard to translate the French into English and vice versa? However, for someone like myself who only reads English and can just about order a cup of coffee in French, there is still enough of interest to justify ordering this informative collection of reports on the proceedings of the 2005 meeting of the International Committee for the Conservation of Mosaics.

I happen to love mosaics and am unashamedly passionate about the conservation of ancient mosaics, especially in the Hellenistic Greek and Roman Empire periods. From this book I learned a great deal about the different approaches to preservation and the problems inherent in those methods, the effects of tourism pro and con, the efforts to encourage appreciation for cultural heritage, the methods of scientific investigation—just to mention a few topics.

So if, like me, you salivate when you hear the word mosaics and want to learn more about the conservation and preservation of this wonderful art form from a professional point of view, I can highly recommend purchasing this record of the conference.
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Art in the Afternoon: Venice Art Forum

On Sunday a friend and I attended the exhibit “Studio Visions” with works by The Venice Art Forum Group at The Center for Art and Spirit in Venice, California. We were invited by our mutual friend, Barbara Golbin, who was showing four of her paintings.

 

Other artists in the exhibit included Ciya, Debra Gangale, Carole Garland, Linda Jacobson, Regine Legler, Melissa Reischman, and Jean Wolff. I know several of the artists and it is always interesting to see their new creations.

Linda, who created the group and was the host, converted the garage of her house into a well-thought-out art studio/gallery with natural light, work areas, and plenty of wall space to accommodate exhibits.

After viewing the paintings we enjoyed sitting out in the garden chatting with friends and admiring the bougainvillea.


Linda provided a nice spread of grapes, cheese, crackers, and wine. At 3:30 there was a drumming session with maracas for those of us who wanted to join in the noise-making.

This was a very pleasant, informal afternoon of art and socializing.

(photos copyright roslyn m wilkins)